July 29, 2012

scenes of the bluegrass

9 x 12, oil on linen



Yesterday I participated in a plein air paint out in downtown Lexington, Kentucky. Gallery B Lexington was the gracious host for the evening party showcasing the resulting exhibit, and the paintings will be on display through August 11th. It was my first opportunity to join the Plein Air Painters of the Bluegrassa welcoming group of talented artists, and also the maiden voyage for my new James Coulter artbox and easel in the photo above. 

Painting en plein air originated with the French Impressionists who preferred the challenge of outdoor light (rather than fixed studio light). Challenge is the key word in that sentence due to the ever changing light, clouds, weather, etc. But then the challenge is also the part that is the most fun. For anyone who has never participated in a paint out, the rules are simple. At a specified time, artists arrive with a blank canvas where officials stamp the back to verify that the painting was painted that day on location. Participants then head out to find a spot to set up easels and a few hours later, everyone returns with a finished painting, framed and ready to hang. No two paintings are alike and it is always a delight to see the variety of interpretations and styles.

"Sure, girls from New York are tough and girls from Georgia are sweet, but those born and bred Kentucky girls, those are the ones you have to watch out for. We have sugar and fire in our blood, we can ride a horse, be a debutante, we can throw a left hook, and tell you the entire UK lineup, all while making sweet tea. And if we have an opinion you get to know it. We're both the pride and downfall of the bluegrass." Ashley Judd



July 24, 2012

blue jar

 This is a painting I did at a recent Dreama Tolle Perry workshop:

12 x 12, oil on canvas

 I find that I'm a little obsessed with all the varied colors of hydrangeas I am seeing this summer.
And,  I discovered that the reason my blooms have been sparse in recent years was because I trimmed them back too early in the fall. OH! As you can see below, they have been bountiful this season. Lesson learned! 

"The thing that seems most relevant in the making of beauty is the fact that when the idea presented itself we said yes.
Without the yes, the work most certainly would not have been born."
Dreama Tolle Perry

July 19, 2012

shall we dance?

9 x 12, oil on canvas

"We seek not rest but transformation.
We are dancing through each other's doorways."
Marge Piercy

July 14, 2012

the perfect pair

Everywhere I turn, it seems flowers are whispering my name. Their fragrance draws me near, and I could swear they are actually leaning toward me as I walk by. Must be the universe telling me it is time to shift gears and choose new "models". I have always wanted to paint this unusual vase that I found at a flea market years ago. Add to that Kevin Macpherson's muted palette (primaries plus greys) along with some gorgeous organic roses, and well, you don't have to twist my arm too much...


8 x 16, oil on canvas

And how about a slice of wisdom to make it the perfect summer pairing...

"We do not grow absolutely, chronologically.
We grow sometimes in one dimension, and not in another; unevenly.
We grow partially. We are relative. 
We are mature in one realm, childish in another; 
the past, present, and future mingle 
and pull us backward, forward, or fix us in the present. 
We are made up of layers, cells, constellations."
Anais Nin

July 7, 2012

trepidation

                                                              12 x 12, oil on canvas


“It takes a lot of courage
 to release the familiar and seemingly secure,
 to embrace the new. 
But there is no real security in what is no longer meaningful.
 There is more security in the adventurous and exciting,
 for in movement there is life, 
and in change there is power.”
 Alan Cohen

July 3, 2012

WHS Freedom Fest Celebration


I am honored to participate in this year's Woodford Humane Society Freedom Fest Celebration, a fundraising event benefitting animal adoption and care. Hosting the art exhibit is The Headley-Whitney Museum where donated artwork is currently on display through July 15th, and may be viewed online here


After July 15th, the artwork will be moved to Darley's Gainsborough Farm for auction on July 21st. Other delightful events of that weekend include a breakfast with speaker, a tasting luncheon, horse farm tours, live music, dinner and dancing where the talents of culinary artisans, interior and garden designers will be featured. Additional items up for auction include premium seats for UK basketball, Keeneland Race Track, Churchill Downs, and lots more! Details for all the events can be found here. Hope you will join us!


"I talk to him when I'm lonesome like;
 and I'm sure he understands.
When he looks at me so attentively,
 and gently licks my hands;
then he rubs his nose on my tailored clothes,
 but I never say naught there at.
For the good Lord knows I can buy more clothes,
 but never a friend like that."
W. Dayton Wedgefarth

June 28, 2012

Thank you, Nora

If you frequent this blog, you know I love a good quote...or several. Nora Ephron, one of my favorite writers passed this week, and I want to honor her by sharing a little of her trademark charm and wit. She had such a wonderful way of writing about real women in a way that made the rest of us feel better about ourselves. Her characters were always charmingly disheveled, insecure, a little off center; never the prettiest, smartest most-talented - but those "flawed"cast of characters showed us a much grander sort of perfection where truth, honestly and a lot of humor trump the more shallow attributes every time. Not only in fiction, but in our own lives as well. When asked about about her characters, she said simply "I write parts for women that are as complicated and interesting as women actually are." Here are but a few of my favorite quotes from her books and movies:

You've Got Mail:



“Sometimes I wonder about my life. I lead a small life - well, valuable, but small - and sometimes I wonder, do I do it because I like it, or because I haven't been brave? So much of what I see reminds me of something I read in a book, when shouldn't it be the other way around? I don't really want an answer. I just want to send this cosmic question out into the void. So good night, dear void."

From When Harry Met Sally:
I love that you get cold when it’s 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you’re looking at me like I’m nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it’s not because I’m lonely, and it’s not because it’s New Year’s Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.”

Heartburn: Her character Rachel says to her husband during labor: "I don't want to do it honey. Can't we get somebody else to do it?"

Julie and Julia: Paul's toast to Julia " You are the butter to my bread and the breath to my life."

And from her essays and book "I Feel Bad About My Neck" 
“When your children are teenagers, it’s important to have a dog so that someone in the house is happy to see you.”
"With any child entering adolescence, one hunts for signs of health, is desperate for the smallest indication that the child's problems will never be important enough for a television movie."
"My mother wanted us to understand that the tragedies of your life one day have the potential to be comic stories the next."

“Whatever you choose, however many roads you travel, I hope that you choose not to be a lady. I hope you will find some way to break the rules and make a little trouble out there. And I also hope that you will choose to make some of that trouble on behalf of women.” 



“Oh, how I regret not having worn a bikini for the entire year I was twenty-six. If anyone young is reading this, go, right this minute, put on a bikini, and don't take it off until you're thirty-four.” 

And who can forget her tirade about hair color costs and how time consuming it is? "Where hair dye is concerned, being blonde is practically a career!"

"Maintenance is what you have to do just so you can walk out the door knowing that if you go to the market and bump into a guy who once rejected you, you won't have to hide behind a stack of canned food. I don't mean to be too literal about this. There are a couple of old boyfriends whom I always worry about bumping into, but there's no chance--if I ever did--that I would recognize either of them. On top of which they live in other cities. But the point is that I still think about them every time I'm tempted to leave the house without eyeliner."


(and saving the best for last)


“Here are some questions I am constantly noodling over: Do you splurge or do you hoard? Do you live every day as if it's your last, or do you save your money on the chance you'll live twenty more years? Is life too short, or is it going to be too long? Do you work as hard as you can, or do you slow down to smell the roses? And where do carbohydrates fit into all this? Are we really all going to spend our last years avoiding bread, especially now that bread in American is so unbelievable delicious? And what about chocolate?"




June 24, 2012

the jockey club


8 x 16, oil on canvas
"Horses and jockeys mature earlier than people -
 which is why horses are admitted to race tracks at the age of two,
 and jockeys before they are old enough to shave."
 DICK BEDDOES 

June 17, 2012

Mr. Withers


8 x 16, oil on canvas

"I sit astride Life like a bad rider on a horse.
 I only owe it to the horse's good nature
 that I am not thrown off at this very moment." 
Ludwig Wittgenstein

June 10, 2012

pretty horses



12 x 16, oil on canvas
"That night he dreamt of horses in a field on a high plain where the spring rains had brought up the grass and wildflowers out of the ground and the flowers ran all blue and yellow far as the eye could see and in the dream he was among the horses running and in the dream he himself could run with the horses and they coursed the young mares and fillies over the plain where their rich bay and their rich chestnut colors shone in the sun...and they moved all of them in a resonance that was like a music among them and they were none of them afraid neither the horse nor colt nor mare and they ran in that resonance which is the world itself and which cannot be spoken but only praised."
 Cormac McCarthy, All the Pretty Horses

June 1, 2012

stable friendship

12 x 20, oil on canvas

"A horse can lend its rider the strength and courage he or she lacks,
but the rider who is wise remembers it is no more than a loan."
Pam Brown

May 28, 2012

Grey Matter





10 x 10, oil on canvas

"The wildest colts 
make the best horses" 
Plutarch

May 24, 2012

Red Tops







22 x 30, oil on canvas

"I was so much older then.
I'm younger than that now"
Bob Dylan

(Happy Birthday Mr. Dylan)

May 19, 2012

And they're off!

12 x 24, oil on canvas

Distance tests a horse's strength.
Time reveals a person's character.
(Chinese proverb)

If you are a representational painter in the southeast 
(Alabama, Arkansas, Florida, Georgia, Louisiana, Mississippi, North and South Carolina, Tennessee, Kentucky, Virginia and West Virginia)
 please consider joining our dedicated group of WOMEN artists at 
WPSE, Women Painters of the Southeast (click here)

May 15, 2012

Burnished Morning

12 x 24, oil on canvas

"I don't believe in writers block. It is not that sometimes you can't write; it is that sometimes you can't write well. Experience has taught me that writing poorly sometimes leads to something better...
How you start each day depends on how you finished he day before. I never knock off at the end of a chapter, or the end of a sentence. I always stop in mid-sentence. Starting a new chapter or new paragraph first thing in the morning might be too much to bear. But I can always manage to finish a sentence. And one sentence has a way of following another if everything else around me is routine enough."
Anna Quindlen

Sage advice for writers...and painters who dread approaching a blank canvas first thing in the morning. Leave something on the easel to ponder over coffee the next day. 

May 3, 2012

Riders Up! Derby week is here!

18 x 24, oil on canvas

"Money, horse racing and women; 
three things the boys just can't figure out"
Will Rogers

April 30, 2012

(For those who asked, here is the SOKY article in an easier to read format):
           
WHY do you draw or paint? What do you want your work to SAY? “ 
These were questions posed by one of my college art professors and, at age twenty, I had no clue how to answer them. It would take a Buddhist proverb “When the student is ready, the teacher will appear” along with several more years before my teacher would arrive in the form of a five-year old girl.  That girl is my darling granddaughter – and she would want me to tell you up front that she is now almost seven. She has helped me see that the above questions apply equally to all interests and vocations as we seek to understand why we are attracted to, or inspired by certain people, places and things. Another universal quest is to identify the intention, meaning and purpose our work holds for us and those we share it with. (Yes, a five year old can teach us all that and so much more!)


 Picasso knew all about the wisdom of children when he said, “We are all born artists. But the problem is how to remain an artist once we grow up”. If we observe a child, we see that she draws and paints for the sheer joy of it.  That is her only why. The joy of expression removes any fear of failure as her focus is locked into the adventure of discovery in the present moment. There is simply no room for apprehension or hesitation in a little heart that creates from that magical space of joy, wonder, and pure potential.

A century ago, Robert Henri famously taught his art students to “push on to paint the spirit of the thing… because what we need is more a sense of wonder, and less of the business of making a picture.”  To be honest, at first I couldn’t grasp the full meaning of that statement. (See how my patient my little teacher has been with me?) But my granddaughter’s approach to art helped me see that a bigger truth lies beneath the exuberance and joy in which work is created. When children share their art with us, we are not inclined to critique it for preciseness of drawing, color harmony, values or composition before we hang it on the refrigerator. Judgment is thrown out the window as the purity of intention surpasses those technical details. Children intuitively capture that sense of wonder Henri was referring to, because the underlying spirit of their subjects is all they see. And when we view their work, all we see is the energy and delight they bring to it. When any gift of creativity is received with the same joy it was created in, it becomes an exchange that uplifts and encourages both parties.  Ultimately, we discover that if we do what we love, and simultaneously share our strengths and talents with others, we serve humanity on a higher level. Deepak Chopra connects our life’s purpose with service when he explains “…when we blend this unique talent with service to others, we experience the ecstasy and exultation of our own spirit…and lose track of time and create abundance in our own life as well as the lives of others.”

In 2007, I began writing about my art journey in a blog.  My original intention was merely to share what I was doing with family and friends, but it has taught me that the process of painting trumps the outcome. And the journey has evolved along with a variety of interests and opportunities.  I had a solo exhibit for the month of April, and this month I am donning the “hat of illustrator” for a new book called Cathedral Building, The Power of Purpose by Greg Coker. Next month I look forward to participating in Freedom Fest, a Humane Society fundraiser, where invited artists donate work garnered from painting sessions at Lexington horse farms. Discovery and continued learning is my lifelong pursuit, and who said it couldn’t be fun along the way?

So why do I paint? It has been in my heart and soul for as long as I remember. Like my granddaughter, I sketched as a way of documenting life as it unfolded. What I try to say with my art is that beauty exists in the most ordinary of moments, and I am humbled by the challenge of capturing that truth in paint.

As you read this, I hope you too will see the wonder in everything around you and keep a vigilant eye out for your next teacher (who may appear in disguisejust sayin’)
Faye Christian Phillips

And I leave you with these enchanting words by Neil Gaima…
May your coming year be filled with magic and dreams and good madness. I hope you read some fine books and kiss someone who thinks you are wonderful! And don’t forget to make some art – write or draw or build or sing or live as only you can. And I hope, somewhere in the next year, you surprise yourself.”


April 27, 2012

Bye George

Looking for something current to read?
Well, I am happy to say that my artwork is featured in not one, but two new publications. First I want to share information about a new book that I was honored to illustrate called Building Cathedrals, the Power of Purpose by author, motivational speaker and life coach Greg Coker, with contributions from Skip Wirth, Terry Daniels, and Dave Tatman. Using the story of the Fire of 1666 as a metaphor, we learn how Christopher Wren stepped in to accept the daunting task of rebuilding St. James Cathedral, and much of the city of London. The author offers modern day examples of successful leaders who also learned to use "personal fires" as incentive for growth and change. Readers are inspired to rebuild their own lives with a sense of purpose that includes supporting and encouraging others along the way. click here for more info
And starting today, you can pick up a copy of Soky Happenings Magazine where I am the featured artist for the merry month of May! (after all George is so "last year")click here for more info

April 22, 2012

an open book

12 x 16, oil on canvas


"Books fall open.
You fall in.
When you climb out again, 
you are a bit larger than you used to be."
Gregory Maguire

 Paintings are currently on display for the month of April 

April 15, 2012

the poet's corner




8 x 10, oil on canvas

"The greatest poetry
is revealing to the reader
the beauty in something so simple,
that it was taken for granted.
That, I think, is the job of the poet.
Neil deGrasse Tyson

 Paintings currently on display for the month of April at the Porter Cafe Gallery (click here for more info)