(70) Gardener
9 x 12, oil
private collection
This final figurative piece was painted from a photo I took at a local "community garden"-- a place of camaraderie where gardeners rent a space to garden. They can often be heard sharing ideas, tips and discoveries with each other as they work side by side. What a great concept.
"Don't underestimate the therapeutic value of gardening. It's the one area where we can all use our nascent creative talents to make a truly satisfying work of art. Every individual, with thought, patience and a large portion of help from nature, has it in them to create their own private Paradise "... Geoff Hamilton

(69) Ah, Summer!
10 x 12, oil
private collection
This is definitely an example of a painting that would be tough to do from life--for some reason that pesky water (and the swimmer) just won't stay still long enough to be immortalized in paint! I loved the shadows that were created at the bottom of the pool, offering depth to the painting--this was one that just fell off the brush, and one of my favorite pieces.
"Don't wait for your ship to come in--swim out to it"...author unknown

(68) Love
8 x 10, oil
private collection
I painted this for one of my favorite couples--she discovered her sweetheart writing her name in the sand, and provided me with the photo. Besides the obvious appeal, I was also smitten by the composition and complimentary color scheme.
"Whatever we lose (like a you or a me)
It's always ourselves we find in a sea"...e.e.cummings

(67) Keeneland
12 x 16, oil
This was painted from a photo I took at Keeneland race course in Lexington, KY. There were many striking horses there that day, but this color always catches my eye.
"He's of the colour of the nutmeg. And of the heat of the ginger.... he is pure air and fire; and the dull elements of earth and water never appear in him, but only in patient stillness while his rider mounts him; he is indeed a horse, and all other jades you may call beasts"... William Shakespeare, Henry V

(66) Cowboy, low-key study
6 x 8, oil
The goal of this quick-study was to keep the values between 5 and 8 (with 1 being white and 10 black) and divide everything into light or shadow. This model was the perfect cowboy (I'm pretty sure he has never heard of sunscreen) and I loved hearing his ranching and roping stories. When it was time for a break, he sauntered over to my easel to tell me he had noticed that I was taking this painting stuff way too seriously, and advised that I work less intensely in order to get more done--hmmnn, sage advice indeed.
"If your horse says no, you either asked the wrong question, or asked the question wrong"...cowboy advice

(65) Cowboy, high-key study
6 x 8, oil
Since I have posted only still-life paintings so far, I thought I would switch to quick-figure studies I painted at the Scottsdale Artists School. The goal with this one was to maintain a high-key relationship keeping the lightest values at 2 and darkest values at a midtone of 5.
The school has the best models. This cowboy makes his own spurs, chaps, and leather belts (authentic to the way they were made in the 1800s)-- He was such an engaging and enthusiastic character, and lots of fun to paint.
"Courage is being scared to death--and saddling up anyway"...cowboy/actor John Wayne

(64) Runaway Rabbit Bunny Slippers
9 x 12, oil
private collection
Wherever you are today, my Christmas wish for you is that you are warm, cozy, safe, and have lots to smile about. If you are wearing your bunny slippers, all the better--mine remind me to not take myself too seriously.
"I offer you peace.
I offer you love.
I offer you friendship.
I see your beauty.
I hear your need.
I feel your feelings.
My wisdom flows from the Highest Source.
I salute that Source in you.
Let us work together for unity and love"... Ghandi's Prayer for Peace

(63) Light of the World
16 x 20, oil
private collection
In this larger painting, I was drawn to the beautiful late afternoon light and cast shadows of the crosses. My goal was to keep the shadow side of the church the same value, varying only the relative warmth or coolness of the colors reflecting onto the stone facade. Because the light changes so rapidly at this time of day, I painted this from a photo instead of life. I discovered that photographing upward distorts the image, so it was a learning experience to allow for that in the drawing stage of the painting.
"Every good gift and every perfect gift is from above, and cometh down from the Father of Lights"... James 1:17

(62) Hi Ya, Cupcake!
9 x 12, oil
private collection
Some of my painter friends and I set up this still-life and painted together. If you are an artist, you know that painting is such a solitary activity, so having a group of friends to paint with offers valuable feedback, and an opportunity to learn new techniques, ideas, etc. I also find that when I attend a workshop, I learn as much from other students as the teacher. Artists are often enthusiastic about sharing innovative ideas/opinions on paint, canvas, brushes, solvents, easels, teachers. workshops, etc.--and more importantly, how to pack it all up in the most efficient manner (especially if you are flying). If you are an artist who always paints alone, I encourage you to seek out others to paint with occasionally. I love the fact that Monet invited many artists to paint with him in his garden. They painted all morning, stopped for lunch, critiques, and wine during the noon hour, and once the sun was no longer directly overhead, Monet was punctual about getting back to work in the afternoon. I love that he wanted to share his home, time, and beautiful gardens.
"Manet wanted one day to paint my wife and children. Renoir was there. He took up a canvas and began painting them too. After a while, Manet took me aside and whispered, 'You're on very good terms with Renoir and take an interest in his future--do advise him to give up painting! You can see for yourself that it is not his metier at all"....Claude Monet

(61) Be the Light
9 x 12, oil
private collection
I have received requests to share commissions and larger paintings on the blog, so I thought the holidays would be the perfect opportunity to take a break from painting, and do just that. This is a piece I painted for a friend who is a high-school English teacher. Like the characters in the books she loves, she is dedicated to making the world a better place. My hat is off to all teachers who inspire their students by their commitment to excellence each day.
"Be the change you wish to see in the world"...Ghandi

(60) Snowflakes
6 x 6, oil
I was drawn by the juxtaposition of the warmth of the red globe against the cool of the background.
"Do not be frivolous with the gift of a day. Right now is all you have, yesterday is history"...Robert Genn

(59) Apple of My Eye
6 x 6, oil
I tried to squint and really focus on the subtle value changes with this one. My challenge was to maintain the shadow side of the apples, without allowing the bright colors/light reflecting up from the tablecloth to appear too light--challenging but fun...which brings me to another point. I am stunned by how many artists write about their frustrations and how difficult, agonizing, exhausting, exasperating and utterly painful the painting process is; and, (I'm going out on a limb here) but I'm thinking... really? If you don't love it and it doesn't bring you joy, then I don't get it. If it were all easy, wouldn't it be boring? Do I find it challenging? You bet, but isn't that the fun, the enticement, the joy and the meaning...am I alone in this? Or, am I hopelessly "missing" something? I have to say that even my "worst day" of painting is a grand day indeed.
"All the sorrows, all the bitterness, all the sadnesses; I forget them and ignore them in the joy of working"...Camille Pisarro

(58) 1899
private collection
6 x 8, oil
I apologize for the glare in the photo. It is increasingly more difficult to finish the painting and photograph it before the light changes and it becomes too dark. Or perhaps I'm just getting slower. In any event, I discovered these limited-edition bottles and couldn't resist painting them. The box says the shapes are replicas of those made by Coca Cola in 1899; a time when, as my son so astutely pointed out, the bottlers added a "special ingredient" to the-drink-that-refreshes: cocaine. Where did you think coke got it's name?
"The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a passing cloud, from a spider's web"...Pablo Picasso (or perhaps from bottles with interesting shapes and colors)

(57) Better Half
6 x 8, oil
Not as loosely rendered as yesterday's...Good or bad, I find I vacillate between the two styles.
"Learn from your dreams what you lack"...W.H.Auden

(56) Pears, sans Partridge
6 x 6, oil
I love everything about pears: the color, shape, and human-like qualities, the way they can be posed and arranged. My goal with these pears (who appear to be in a huddle) was to avoid overworking the brushstrokes.
Thomas Buechner said it best "I like pears. In spite of their simple geometry, cone on sphere, they seem rather human. Hard or soft, they bruise easily."

(55) Candy "Cam"
6 x 6, oil
private collection
"I dream of painting, and then I paint my dream"...Van Gogh

(54) Pink Roses
6 x 6, oil
Hey, don't forget to take time to... oh, you know already. Same limited palette here. This was fun.
"It is not the language of the painters but the language of nature which one should listen to, the feeling for the things themselves, for reality, is more important than the feeling for pictures"...Van Gogh

(53) Lily of the World
6 x 6, oil
I love the name of this plant. We have state flowers, why not a flower representing the world? It is also very fragrant and lovely, but tougher than I imagined it would be to paint. I "pushed and pulled" paint around for quite some time with this one.
"The things that interest me most about painting are whatever is difficult or unexplored, rather than what I can already do. Following that path results in failures once in a while, but it's much more rewarding when I make a breakthrough'"...Quang Ho

(52) Christmas Cactus
6 x 8, oil
I used the same limited palette as yesterday and again focused on looser strokes.
"The future belongs to those who believe in the beauty of their dreams"...Eleanor Roosevelt

(51) Red Poinsettia
6 x 6, oil
Okay, so my titles aren't all that grand and original...(sorry) but it is what it is. This is another attempt at looser brushstrokes. For the last two paintings I have experimented using a limited palette of two reds, blues and yellows, plus white for a total of 7 colors (lemon yellow, cad yellow, quinacrodone red, cad red lt, ultra blue, thalo blue, and titanium white).
"Continuous effort, not strength or intelligence, is the key to unlocking our potential"...Winston Churchill